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Elements and Performance Criteria

  1. Plan jewellery work through exploration
  2. Prepare, maintain and store jewellery-making resources
  3. Create finished jewellery

Required Skills

Required skills

communication skills to discuss ideas for jewellery with others

learning skills to

improve techniques to produce jewellery through practice and some experimentation

respond constructively to feedback

literacy skills to interpret information about historical and contemporary jewellery practice

numeracy skills to calculate quantities of materials

planning and organising skills to organise resources required to produce jewellery

selfmanagement skills to take responsibility for the process of creating work

Required knowledge

ways of exploring techniques and materials to achieve different effects in jewellery

physical properties and capabilities of a range of materials tools and equipment used in jewellery making

work space requirements for jewellery making including ways of organising and maintaining space

cleaning maintenance and storage procedures for jewellerymaking tools equipment and materials

historical and theoretical contexts for jewellery making

elements and principles of design and their particular application to jewellery work

intellectual property considerations for any person making creative work

sustainability considerations associated with the use of jewellerymaking tools equipment and materials

OHS procedures that apply to jewellerymaking work

Evidence Required

The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

produce multiple jewellery items or a single major piece that show some technical proficiency in chosen techniques

work with ideas and techniques and bring them together in finished work

adapt the capabilities of jewellerymaking techniques and resources

Context of and specific resources for assessment

Assessment must ensure access to

tools equipment and materials used to produce jewellery

Method of assessment

A range of assessment methods should be used to assess practical skills and knowledge The following examples are appropriate for this unit

evaluation of technical execution of work pieces produced by the candidate

direct observation of jewellery making in progress

questioning and discussion of the candidates intentions and finished work

review of portfolios of evidence

review of thirdparty reports from experienced practitioners

Assessment methods should closely reflect workplace demands eg literacy and the needs of particular groups eg people with disabilities and people who may have literacy or numeracy difficulties such as speakers of languages other than English remote communities and those with interrupted schooling

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUVPRPA Produce creative work

CUVPRP301A Produce creative work.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Jewellery may include:

objects, such as:

containers

sculptural forms

wearable pieces, such as:

anklets

brooches

earrings

neck and head pieces

rings.

Ideas may be influenced by:

current capability with techniques

historical and theoretical contexts

subject matter or theme for the work, such as:

built environment

land and place

natural world

political, cultural and social issues

the body

spiritual concerns.

Techniques may include:

binding

casting

clasps

colour work

drilling and assembling

enamelling

jump-rings

knotting

links

polishing and finishing techniques

pressing and forming

surface decoration

threading

weaving.

Key peoplemay include:

mentors

other artists

peers

supervisors

teachers.

Assessing the capabilities of techniques may involve:

producing test pieces or samples

systematically testing a range of processes.

Tools and equipment may include:

guillotine

hand drill and drill bits

hand tools:

brushes

burr

centre punch

clamps

files

hammers

knives

mallets

piercing saw and range of blades

pliers

scissors

scriber

snips

tongs

tweezers

jewellery bench

measuring devices

measuring tools

modelling tools and sets

needles

power tools

protective clothing

specialised items for:

embossing

engraving

gluing

piercing

silversmithing

soldering

welding.

Materials may include:

fabricated materials:

das

fabrics

fibres

fimo

metal objects

papier-mâché

plastic

twine

found objects

gem stones

metals:

brass

copper

guilding metal

pewter

silver

natural objects:

bones

clay

feathers

palm fronds

seeds

shells

twigs

vines

wood.

Needs of the work may relate to:

availability of different resources

budget

creative goals

preparation time

process-specific requirements

recycling

safety

sustainability.